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Sunday, November 14, 2010
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Saturday, November 13, 2010
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Friday, November 12, 2010
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Wednesday, November 10, 2010
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Tuesday, November 9, 2010
Shop For Botempi Toy Clarinet
The sound of both the "Botempi" toy wind instruments is close to that of the harmonica (actually, it's a cross between an harmonica and the medieval crumhorn), so don't expect a "clarinet" sound. Still, it's easy to use and sturdy, assuming gentle play. If you don't need the pitches to be accurate, and you don't need a toy clarinet that sounds like a clarinet (which may not exist), then this is an amusing and smile-inducing toy instrument.
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Monday, November 8, 2010
Buying Classic Musical Instrument: "Jaw Harp" Children's Toy Instrument
My harp was nearly silent no matter how hard I tried to get a nice sound out of it. I played one as a kid so I knew how it was supposed to work and sound.
It turns out that the gap between the prongs was way too wide. I put the harp in a vice and squeezed it down so that the tongue (twanger) had just enough room to vibrate without hitting the arms/prongs (rougly a 1mm gap on either side). Now it sounds really great. If yours is quiet, maybe give this a try before throwing it away - good luck!
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Sunday, November 7, 2010
Saxophone recording technique
It All Start With You
Experimented in the studio recording can be a lot of fun with interesting things to do. When you get all the right variables, they can inspire you to play well. Of course, even if you have a great mic in a large room and go through the best recording equipment, you can not sound too good if you have a horrible tone out of your horn. That is why it is important to take time to get the fundamentals down before heading to a recordingstudio.
With a good tone in the place, time well spent with good teeth in the studio can make you sound better, assuming you are working with an engineer who knew what a saxophone is ... Do not laugh! I was doing sound checks in places large and have a sound engineer asked if I would use the mic in my saxophone! Run, do not walk away from those people!
These days, some good engineers who may not have much experience with a saxophone. Many people will only work with bands that have a special line-updrums, bass, guitar, keys, and a singer. No matter what good you are in your career, learn a few things about the recording process will help to make your business sound a lot better.
At the beginning of my career, I did not pay much attention to the mic, processing gear, etc. EQ frequency's Now I do. I hand in the studio because I wanted to sound good. I heard that I played last year, and I do not like how much it sounds. Not what I play, but the sound is actually ... it mayhow engineers have EQ'ed or sit in the mix.
So, it all starts with you ... but it all could end up with the engineers!
Mics
The good news is that there are some very good engineers out there that can make us sound better. The first item in the bag of toys have a microphone, an engineer.
One of the first major recording project I was involved with in 1988 with Canadian singer / guitarist Colin James, who has signed with Virgin America at that time. We went toCriteria Recording Studios in Miami to work with renowned producer / engineer Tom Dowd, who signed Eric Clapton (Layla), The Allman Brothers, Leonard Skynard, and Aretha Franklin to name a few. We saw all the gold record artists depend on the wall, plus others such as James Brown (I Feel Good), The Bee Gees (Saturday Night Fever). All the songs we heard growing up, but amazing to be there for the first time. But the best is yet to come!
After meeting Tom Dowd, Ithat it has signed King Curtis and John Coltrane, two of the most influential sax players in history, where we were standing there! Now a saxophone player, I felt I was in good hands!
His priority is the mic Neumann U87. This model came out in the 60's, I know he recorded King Curtis Coasters session from the 50s and will use the Neumann U47 ... for Coltrane as well.
This mic is still the industry standard, because they are largediaphram mic to produce sound, the size of hot. They can be found in every large commercial studio, but not necessarily on a small project studio as the price of several thousand dollars each. However, I would not put the brakes on the project or record the session if the mic is not available.
At this time, the company that makes really good mic for under $ 500. For the CD I had just finished, Rock & Roll sax, I use a different mic, two people under $ 500 and one is $ 3000. ReallyThe cheaper the better is the Shure SM7 and AKG C1000.
Pre-Amp
On-line directly after the pre-amp microphone. This is just an amplifier that can improve your signal to the recording machine, Computer, etc. A pre-amp is the best way I have found to get a really sound "hot" saxophone. In essence, it has a level and the output button. You crank up the input gain in almost Knob, Red is not red-not because that will give you bad sound distortion. Just beforeDistortion is a fine line, you can experiment with it to verify the amount you want in your voice. I've used the low setting, somewhere in the middle, and really hot. It all depends on the sound you want for a particular recording.
Compression
Next toy to experiment with the compressors. I'm not a technical engineer (you may have noticed), but, basically, the compression on the saxophone would create a ceiling for the volume level of your voice and take note of each reachceiling level, which means that all the notes you will be even with each other in volume. If you go overboard with effects, you will hear a tone to manipulate, so once again, you have to experiment. Personally, I sometimes like that in my voice a little, it all depends on the song. If you listen carefully, especially with headphones, you will hear how to enlarge the things in the tone of the saxophone as breathlessness, spat in the bamboo, and even slightly reduce the sound made by a notebearings.
Equalizer
Even after beefing up your voice with the pre-amps and compressors, and more bodies may be added by hissing equalizer (eq).
For some extra sizzle or sparkle, I would like to add some high-frequency end, around 10k, but you need to experiment here. You can get the right to increase shine you would expect from 8k or 11k. If you use a good mic is not necessary to increase for a large newspaper, only between 1 and 3 db's (decibels).
I never felt that I needed more of a saxophonemid frequency range, which encourages them to give midsas Tonk ugly tone, but often little more low end eq will help to complement the tone. Once again, you will need to experiment, but I go around 125-250 HZ (killahertz).
Reverb
All people want to hear some reverb as soon as they hear themselves in the studio headphones. That's because, reverb provides direct big, wet sound that can make your playing sound better and can help you feel more comfortable during the recordingsession.
I've seen have been like reverb mode from time to time ... various types and styles came to the mod, sometimes hip to use a lot, sometimes you use almost none at all.
How to capture natural reverb is to use naturally occurring sounds in the room, and how much you have depends on the size of the room. People are still recorded as it is today, and we are still hearing about how the band went into a few large old church record or a basement or bathroom to achieve aamazing voice.
Plate reverb unit is the artificial way to make the reverb in the studio.
Plate reverb is produced by vibrating a large metal sheet. Clearly, a way to produce reverb to create reasonable cause, to create a different room sizes without having to leave your own studio. Today there are many types of reverb for the digital technology, and every studio will have a good size to plug into. The type and amount of reverb used will depend on your personal tastes,I personally use very little, if you can hear it, it was too much. I want to fix it so that you can not select it if you turn off the sound but you see that it is gone.
Delay / Echo
Delay or echo is a result of repeated notes after the original tone is played. Like if you yell into the well, HELLO ... HELLO ... HELLO. When I found the delay reverb is not needed and usually get on the road.
I like this effect in my saxophone. The numbers always vary depending onmusic.
Short "slapback" postponement of the most recognized in the rockabilly music, especially on vocals and guitar. All aspects of these effects can be controlled, the overall level of influence by the number of repetitions you want. Sometimes the delay is a good procedure is the perfect thing on the saxophone, especially on a song rockin 'or a ballad. I use it quite a bit in recent recordings I, here you can hear my saxophone with little delay and then a lot.
Wah-Wah
Finally, there iswah-wah pedal. It is usually heard on the guitar. But do you know, that was created so the guitar can sound like a trumpet? As a trumpet player to use divers to get a wah-wah sound, the sound that guitarists want to emulate.
Back in 70, I remember listening to some bands have a saxophone player and use the wah pedal in their horns. Frank Zappa and Steve Winwood of Traffic band comes to mind.
Since then, I have not heard it used in the recording toa long time so I tried it in one of the songs from a recent recording I;
To use the pedal with your saxophone, simply connect the microphone cable directly into it and another cable coming out to the impressions you may have on-line. Pedal moves up and down to create wah-wah.
This is my set-up while experimenting in my home studio, but once in the studio mixing, we see some intermittent unpleasant "sound" and I have to go back to track all of the saxophone. That's bad news for melike that already exists! It is good that comes out of this, the engineers suggested taking two lines of the wah pedal, a first for the only effect, the other will just have the saxophone music through it. This was a big success. Now, we can mix and combine two channels and add or reduce the wah-wah effect depending on how the work in the song. I find a certain note or phrase sound better with a little less impact, and vice versa ... more control, bettervoice.
Have fun experimenting with your voice in the studio. Sometimes the use of all these toys will help to get the sound you want, sometimes only one or two of them, and sometimes none of them are needed. Let the music dictate what you should use extreme of this effect.
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Friday, November 5, 2010
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Baby-music toys for her baby to 12 Months
It has been widely accepted from the beginning of human history that music plays an important role in the development of our minds. For Plato, the music is the foundation of education. For parents today have a large variety of music play that often cause confusion as to what is important at every stage of its development. This article would be appropriate to each stage of child development with an appropriate musical resources to make choices and buy a lot of toys and instrumentseasier.
3 months of life are the most vulnerable and dependent. Newborn depends on all the maintenance and sustenance provided by their parents. Interaction with parents and caregivers is essential for this phase. Face and your emotional response is a major focus for the baby. Babies do not learn to catch or hold and you supplier so that the most stimulation. Options to make the parents at this very important and necessary in the development of children.Babies have a number of primitive reflexes. The Moro (or staggering) the reflex is one we all know. In practice this means that a sudden loud noise will not be appreciated. For the first 3 months it is better to choose a quieter voice, for example Baby Halilit maracas from the ideal range, such as the Three Sound Set, or Halilit Mini Sea Sound Drum and Mini Rainmaker. Toys by Tolo like gripper and Roll Shake Rattle Rattle, is also a very good choice with the other wreckrattles and the bright and colorful, but soft in voice. Each maracas, drums, musical instruments, bells, tambourines fine at this stage as you are the manufacturer of the sound source and can modify the pitch according to the response of the child. Newborn babies are very responsive to cool so the contrast of black and white, while bright colors are great for young children, the level of black and white baby is also very important. The Amazing Baby Sound Balls contain a ball with a black andwhite contrast and multi-sensory toy big for toddlers.
Once baby can reach to catch the object in about four months old then consideration should be given to the fact that everything will be running in the mouth. The weight of any toy is also important. There is a total wreck washed light as produced by Halilit. There are also some wooden mini maracas are light enough to hold a can be eliminated. MiniRainbow Shaker is also a good choice as Halilit's Musical Shapes and forms of animals with different sounds and colors. All musical instruments with bells should be carefully selected as to the age group they are choking hazards. Kindermusik producing truly safe bells jingle which is flanked by a cloth. If you are using bell then this should really under adult supervision at all times. There are some beautiful bell is available. Five jingle bell is D-shaped plainbell is available in different colors, or a clown Government Bells Bells are ringing D-shaped with a decorative figure on the handle. The stomach is so important at this stage and play music that is ideal to attract attention and provide entertainment while in the stomach to develop muscles and core strength. Sheer shawl gives the opportunity to play peek-a-boo and a developing sense of humor and expect.
Infant transferred to the development of large capacity in their movement around thefive months. Having developed muscles and core strength of many of the stomach they first learn to roll over when placed on the floor and can pivot and change direction very easily. This is a good opportunity to encourage movement and every toy that moves and shakes like the Caterpillar Roll VTECH or Mobile Baby Magic Ball is an ideal play music that will encourage baby to move around in pursuit. This is a great toy for the baby to move to creep, crawlphase.
Moving from a crawling baby and passes into the capable of retracting and cruise around furniture. Interactive toys that important at this point. VTECH range with My First Music Maker Sing with Me Piano, and more sophisticated Sing & Discover Piano is ideal. Story books and nursery rhymes to be every day at this level. Read to your baby. There is no better way than with an interactive book that provides not only visual but sungpoem and the opportunity to interact. The Peek-A-Boo-Book by VTECH provide an important opportunity.
After the baby has reached the current level and more sophisticated instruments can be introduced. Prohibited instrument may be affected by a hammer or a bat to give a lot of fun. Baby First Halilit xylophone is a good choice here is Smiley xylophone voila if you find a timber.
This article has provided only a few examples ofa variety of toys available for the first 12 months. There are many musical instruments are suitable for the next stages of development. For example, each tool or a toy is not suitable to be blown for the first twelve months as the baby has no control or ability to blow the breath needed. All recorders, instruments or horns, like the full size or mini size of the far left to the next stage of development and will be discussed in future articles.
SelectYour music and educational toys for baby care. Seeing a specialist music shop online to be provided specifically for this age group. Make sure you select those retailers with practical experience in the music education of infants and small children is not common toy retailer.
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Wednesday, November 3, 2010
Elements (Slur)
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Monday, November 1, 2010
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